RADIO ARTEN

Thursday, September 7th, 7 pm / Donnerstag, 7. September 19 h

Sound art on air/ aktuelle Radio-Klangkunst

Two pieces playing with radio genres and new concepts of text/sound compositon

– Galapagos-Kreuzblende (SWR 2017, 36′) von Antje Vowinckel

  • break/bar

– NACHRICHTENTSTELLT (SWR 2016, 32′) von Marc Matter

afterwards: discussion about making of and presentation of inspiration resources with Marc Matter, Antje Vowinckel and Frank Halbig.
Moderated by: Golo Föllmer.
The pieces use German language. Discussion in English/German.

doors: 7 pm, start: 7.30 pm

Galapagos -Kreuzblende simulates a 36 minute cross-fade between science and sound art. It ends as a hybrid sonore. A speech on speciation among birds step by steps morphes into a sound texture employing virtual voices that adopt  the sounds of Darwin’s finches.

Antje Vowinckel is a Berlin based sound artist, radio artist and performer. She works for a variety of public radio stations such as WDR, DRadio, SWR and also creates musical live performances and sound installations. www.antjevowinckel.de

NACHRICHTENTSTELLT is inspired by the specific sound of radio news that are transformed into a series of sound poetry compositions.

Acousmatic Lecture – Birgit Schneider

You are cordially invited to the second Acousmatic Lecture of the series 2017 on 13th July at 7pm presenting Prof. Dr. Birgit Schneider in Errant Sound, Kollwitzstraße 97, 10435 Berlin.

Please confirm your participation by sending an email to acousmaticlectures@gmail.com

We are looking forward to your coming!

Acousmatic Lectures Series
Acousmatic-logo.jpg

The Acousmatic Lectures Series presents a program of unconventional, interdisciplinary lectures in Berlin, in which art and theory encounter one another in productive dialogue.

The Acousmatic Lectures Series is a laboratory for investigating phenomena that are directly related to acoustic information and its research-based, artistic, and socio-political dimensions.

13.07.2017 – 19:00 h

Prof. Dr. Birgit Schneider

Forms of an Ecological Aesthetics of Climate and Climate Change

The climate is invisible because of its scientific definition as long-term weather statistics. Starting from this postulated an-aesthetic of weather, the lecture will outline the visualization strategies that made perception of the climate possible via early forms of data visualization. In early climate research these perceptions were tied not only to the dispositifs of instrument-based measurements but also of organic sensing that is inseparable to climate perception. Historical examples will be contrasted with today’s visualizations of anthropogenic climate change, which integrate the human factor into the ecology of the climate.

Dr. Birgit Schneider studied aesthetics, media theory, and media art at the Karlsruhe University of Art and Design, Goldsmiths College London, and Humboldt University in Berlin. Since 2009, she is researching climatic imagery as a Dilthey Fellow at the European Media Studies program at the University of Potsdam. Her work focuses on the field of image, cultural, and media studies: graphic methods such as maps and diagrams, climatic data visualization, digital images; the theory and technological history of textiles and the punch card; camouflage—strategies of invisibility around 1900; TV history + interference and disruption; art and media history of sound & vision.

The lecture will be held in German!

Program

06.07. 2017 / 19:00 h – Sabeth Buchmann

13.07.2017 / 19:00 h – Birgit Schneider

14.09.2017 / 19:00 h – Hans-Jörg Rheinberger

19.10.2017 / 19:00 h – Alex Arteaga

26.10.2017 / 19:00 h – Markus Gabriel

Online program

Acousmatic Lectures Series is a project by Mario Asef

The project was made possible by:

Alle.png


Website: Acousmatic Lectures

Contact: acousmaticlectures@gmail.com

Errant Sound
www.errantsound.net
Kollwitzstrasse 97
10435 Berlin

IN THE SOUND FIELD #4

Perspectives on Field Recording — Installations and Performances — Talks — QR-Sound Gallery

Works by Alessandra Eramo, Georg Klein, Georg Werner, Ines Lechleitner, Jeremy Woodruff, Kirsten Reese, Laura Mello, Mario Asef and Peter Cusack.

Upcoming part #4 of the Series: Opening Friday July 14th at 6pm

Lasse-Marc Riek (Gruenrekorder, Frankfurt/M): Recording and Publishing Sounds from the Field
Talk. — Moderation: Golo Föllmer

reeperbahnk_07.jpg

Kirsten Reese: »Sound Cards« (2005 – )
Installation
To over 50 postcards from cities in many countries the soundscape of the location pictured on the postcard was recorded. The places / postcards were chosen according to the specifity of the sound of the location they represent. The postcard is, in times of Instagram and Facebook, a somewhat obsolete medium, but still linking itself with everyday culture and the communication of experience of strangeness and appropriation alike.

marina-frontaloffen-300.jpeg

Georg Klein: »Le Due Forze di Taranto / Two Powers of Taranto« (2014)
Photo-Sound-Installation
The installation has three parts, working with the conflicts of the city Taranto in South-Italy. The city is trapped between two forces – the steel and petrochemical industry in the northwest and the navy in the southeast. Two double-sided photo plates show representatives of the two ruling powers. But a third force gets a voice, represented by a member of the independent organisation “Commitato”. In opposition to the representatives on top his face ist visible and also his voice is audible, interrupted by field recording sounds of special locations in the town, ILVA and the navy

at Errant Sound, Kollwitzstr. 97, 10435 Berlin

Opening times: 14.—16.7. 2917; 18:00-21:00 opening night, 15:00-20:00 exhibition

Acousmatic Lecture Series – Sabeth Buchmann

 

Vorhang-k.jpgSehr geehrte Damen und Herren,

wir laden Sie herzlich ein zu der ersten Acousmatic Lecture der Reihe 2017 am 06.07.2017 um 19:00h mit Prof. Dr. Sabeth Buchmann im Errant Sound, Kollwitzstraße 97, 10435 Berlin.

Um ihre Teilnahme zu bestätigen bitte wir Sie eine Email an acousmaticlectures@gmail.com zu senden.

Wir freuen uns auf Ihr Kommen!

Mario Asef

Acousmatic Lecture Series

Acousmatic-logo.jpg

 

Im Rahmen der Acousmatic Lectures Series wird eine Reihe von ungewöhnlichen interdisziplinären Vorträgen in Berlin präsentiert, in welchen Kunst und Theorie sich in einem produktiven Dialog miteinander treffen.

Acousmatic Lectures Series ist ein Labor zur Untersuchung von Phänomenen, die unmittelbar mit akustischen Informationen und ihrer wissenschaftlichen, künstlerischen und gesellschaftspolitischen Dimension in Verbindung stehen.

06.07.2017 – 19:00 h

Prof. Dr. Sabeth Buchmann

(Des-)Artikulation – Stimme als Ort und Medium der Transformation

In der Gegenwartskunst fallen eine Vielzahl von Werkformen auf, die nach der Darstellbarkeit individueller und kollektiver Traumata fragen und in diesem Zusammenhang die Stimme als buchstäbliches und metaphorisches Medium zur Aufführung bringen: Sei es in Gestalt von Sprechproben oder von therapeutischen Sprachtrainings. Insofern auf diese Weise die Möglichkeiten und Grenzen der Artikulation zum Gegenstand der Darstellung gemacht werden, erweist sich die Stimme als zugleich psycho-emotionaler, sozio-kultureller und gesellschaftspolitischer Topos. Im Vortrag sollen unter Bezugnahme auf Paul B. Preciados Testo “Junkie. Sex, Drogen und Biopolitik in der Ära der Pharmapornografie“ (engl. 2008/ dt. 2016) exemplarische Filme und Filminstallationen der Künstlerinnen Ana Hoffner und Katarina Zdjelar hinsichtlich der hierin zur Anschauung kommenden Versuche betrachtet werden, die Stimme zum Medium und Ort der (Selbst-)Transformation zu erheben.

Sabeth Buchmann ist Kunsthistorikerin und -kritikerin. Sie veröffentlicht u.a. regelmäßig in der Zeitschrift Texte zur Kunst. Seit 1997 hatte sie Lehraufträge, Assistenzen, Gast- und Vertretungsprofessuren an verschiedenen Akademien und Universitäten inne. Seit 2004 ist sie Professorin für Kunstgeschichte der Moderne und Nachmoderne an der Akademie der Bildenden Künste Wien.

Der Vortrag wird auf Deutsch gehalten!

Programm

06.07. 2017 / 19:00 h – Sabeth Buchmann

13.07.2017 / 19:00 h – Birgit Schneider

14.09.2017 / 19:00 h – Hans-Jörg Rheinberger

19.10.2017 / 19:00 h – Alex Arteaga

26.10.2017 / 19:00 h – Markus Gabriel

Programm online

Das Projekt wurde ermöglicht durch:

Alle.png

Website: Acousmatic Lectures

Kontakt: acousmaticlectures@gmail.com

(E)

You are cordialy invited to the first Acousmatic Lecture of the series 2017 on 6th July at 7pm presenting Prof. Dr. Sabeth Buchmann in Errant Sound, Kollwitzstraße 97, 10435 Berlin.

Please confirm your participation by sending an email to acousmaticlecture@gmail.com

We are looking forward to see you!

Mario Asef

Acousmatic Lecture Series

Acousmatic-logo.jpg

The Acousmatic Lectures Series presents a program of unconventional, interdisciplinary lectures in Berlin, in which art and theory encounter one another in productive dialogue.

The Acousmatic Lectures Series is a laboratory for investigating phenomena that are directly related to acoustic information and its research-based, artistic, and socio-political dimensions.

06.07.2017 – 19:00 h

Prof. Dr. Sabeth Buchmann

(Dis) articulation—Voice as Place and Medium of Transformation

In contemporary art there are a number of expressive forms that question the representability of individual and collective trauma, and, in connection to this, the voice is performed as a literal and metaphorical medium: be it in the form of auditions or therapeutic language training. To the extent the possibilities and limitations of articulation then serve as the subject of the representation, the voice proves to be at the same time a psycho-emotional, socio-cultural, and societal-political topos. Referencing Paul B. Preciado’s essay “Junkie. Sex, Drugs, and Biopolitics in the Era of Pharmapornography” (2008), the lecture will examine select films and film installations by artists Ana Hoffner and Katarina Zdjelar in an effort to elevate the voice as the medium and location of (self-) transformation.

Sabeth Buchmann is an art historian and critic. She publishes regularly in the journal Texte zur Kunst and others. Since 1997, she has lectured and worked as an assistant, visiting, and interim professor at various academies and universities. Since 2004, she is professor of modern and postmodern art history at the Academy of Fine Arts Vienna.

The lecture will be held in German!

Program

06.07. 2017 / 19:00 h – Sabeth Buchmann

13.07.2017 / 19:00 h – Birgit Schneider

14.09.2017 / 19:00 h – Hans-Jörg Rheinberger

19.10.2017 / 19:00 h – Alex Arteaga

26.10.2017 / 19:00 h – Markus Gabriel

Online program

The project was made possible by:

Alle.png

Website: Acousmatic Lectures

Contact: acousmaticlectures@gmail.com


Errant Sound
www.errantsound.net
Kollwitzstrasse 97
10435 Berlin