13 June 2026 – 20:00
Errant Sound
Gerichtstraße 45, 13347 Berlin
Entry: Suggested donation at the door
Corpus Nil is a ritual of birth for a modified body, a tense and sensual choreography between a human performer and an artificially intelligent machine, exploding through sound and light. Winner of the Award of Distinction in Sound Art at Prix Ars Electronica 2017.
//// CELEBRATING 10 YEARS OF CORPUS NIL at ERRANT SOUND ////
Human bodies and identities are continuously categorized, online and offline, by artificially intelligent algorithms and machines. But what if, by contrast, artificial intelligence could be used to contaminate human bodily experience? How does a body defiled by algorithms look and move like?
Corpus Nil is a performance for a human body and an artificially intelligent machine. A naked body, partly human and partly machine, lies on stage. It is an amorphous cluster of skin, muscles, hardware and software. Biophysical sensors attached to the performer’s limbs capture bodily electrical voltages and corporeal sounds and feed them to the machine. Thanks to a sophisticated set of algorithms, each nuance of the body’s motion sets off a synaesthetic play of sound and light directed by the machine. The biological signals of the body influence the choices of the machine, but cannot control what it will do. In turn, the auditive and visual saturation produced by the machine influences the body’s movement, but disrupts its perception and motor skills at the same time. Despite being intimately linked to the human body, the machine is autonomous and chooses by itself how to respond to the performer`s movements. In an unstable feedback loop, the body and the machine pollute each other. The amorphous being on stage slowly evolves into an unfamiliar creature. It reconfigures its parts through a sensuous choreography pushing the limits of muscular tension, limbs torsion, skin friction and equilibrium. The corporeal sound frequencies are spatialised using a multi-channel sound system surrounding the audience, while bioelectrical flashes of light rhythmically illuminate the space.
Through sound, light and optical illusions, the physical mutation of the body impacts and submerges the audience, inducing a trance-like experience. As the body and the machine form a partial, unknown and yet graceful being, spectators feel as if its heart was beating within their own bodies. It is unclear whether the new body is human enough, or perhaps, the common meaning of ‘human’ is not enough to describe it.
Corpus Nil is part of the 7 Configurations cycle (2014-2019), a series on the conflicts surrounding the human body in the era of artificial intelligence (AI).
Marco Donnarumma is an Italian media, sound and performance artist, inventor, and theorist. His oeuvre confronts normative body politics with uncompromising counter-narratives, where bodies are in tension between control and agency, presence and absence, grace and monstrosity. Described by Der Standard as a pioneer of performing arts with advanced technologies, he is best known for using sound, AI, biosensors, and robotics to turn the body into a site of resistance and transformation. His performances, stage productions, and installations have been presented worldwide at leading festivals, museums, and institutions including Ars Electronica Linz, CTM Festival Berlin, Sonar+D Barcelona, Steirischer Herbst Graz, ZKM Karlsruhe and the Venice Biennale. He holds a PhD in Performing Arts, Computing and Body Theory from Goldsmiths, University of London and has been Research Fellow at Berlin University of the Arts in collaboration with the Neurorobotics Research Laboratory. Donnarumma is a scientific board’s member of the PhD Program in New Media and Critical-Curatorial Practices of Contemporary Creation by Accademia Albertina di Belle Arti di Torino. With Margherita Pevere he runs the performance duo “Fronte Vacuo”.
Marco Donnarumma’s Website: https://marcodonnarumma.com/
Photos © Marco Donnarumma, Dario J. Lagana’
