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An evening of listening, dreaming, voicing

Apr 2022  

within and without, shaped by all that touches and impinges, and that is situated always below the line of what we know and ...  

READY MAKING #5

Mar 2022  

READY MAKING #5 Resonating bodies and media apparatuses Exhibition, Concert/Performance and ...  

Klangkunst und Notation

Feb 2022  

ge nach, welche Notationsformen es in der klangkünstlerischen Praxis im Zeitalter des digitalen und globalen öffentlichen Raums ...  

MICHAEL VORFELD – VENI, VIDI, AUDIVI 

Feb 2022  

A unique collection of 25 self-recorded 7″ vinyl records and their self-made photographic covers on silver gelatin paper to be seen and heard. Selection based on the cover, any of the records are free to be played. Friday/Saturday 25th/26th of February ...  

BERLIN SCHOOL OF SOUND / ERRANT SOUND RADIO #5

Feb 2022  

*Topia Festival Podcast
Today Feb 01 –  4pm Brasília / 7pm London / 8pm Berlin / 10pm Istanbulon Freies Radio Berlin Brandenburg 88.4RADIO SHOW about the *Topia Sound Art Festival The second episode of the podcast series Sound as Media(Vanessa De Michelis/London & ...  

Heather Frasch & Annette Krebs: Music for Sonic Assemblages

Jan 2022  

mikroskopische Klangkompositionen und akustische Biotope Sunday 16th of January 2022 > doors 19:30, concert 20:00 Composer-performers, Heather Frasch and Annette Krebs, have been developing their own sonic assemblages independently over the past years; ...  

Steffi Weismann: Downtime (Live-Stream)

Dec 2021  

Friday Jan. 7th 2022 > 7pm Berlin / 10am Los Angeles solo performance for amplified objects, voices and a swinging loudspeaker (online version) in collaboration with sound artist Elif Gülin Soğuksu (Istanbul) and followed by a discussion/artist talk with ...  

Composing Modes of Perceiving

Dec 2021  

Location: at Errant Sound or ZoomDate & Time: 18 December 11:00 – 13:30Participants: 4 – 8 Composing Modes of Perceiving  Through the use of 14 experiential elements By looking at fourteen modes of experience, of which ‘hearing’ is ...  
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