Exhibition, Performances and Discourse 1.-10. July 2022 with works by Janine Eisenächer, Brad Nath, el cangrejo y el caracol (Lorena Izquierdo Aparicio & Aziz Lewandowski), Jan Rozman, and a lecture by Stephanie Schroedter
1.7. – 10.7. 2022
Errant Sound and DOCK 11
The event and artistic research-series READY MAKING is dedicated to the presentation and exploration of sound-practical actions with things. Selected performances and installations are assembled under a different thematic focus in each edition and discursively accompanied by lectures, artist talks and the dialogue-based video interviews “Mind the Sound”. After initially focusing on the things themselves as co-performers with their own agency (#1) and subsequently dealing with the materiality of sound spaces and spatial practices and listening (#2), we explored the aspect of sonic affordances (#3) and various forms of microphoning and microscoping matter through sound (#4). At last, we discussed resonances and media apparatuses (#5), now READY MAKING #6 finally focuses on the manifold and complex relations between sound, movement and choreography/ composition as well as on sound production and listening in movement as an interrelation of body, things and environment. Practised and remembered movements of the body, particularly of the hand, on and with everyday tools or musical instruments are incorporated into the sonic practices and know-hows of musicians, performers or dancers. How does listening to these actions and sounds influence the movements and, vice versa, how does movement influence the sound production?
Part of this programme of the artistic research-series are the sound artists, musicians and (composer-)performers Janine Eisenächer (DE), Brad Nath (US/DE), el cangrejo y el caracol (Lorena Izquierdo & Aziz Lewandowski, ES/DE), Jan Rozman (SL), and the theatre and dance studies scholar Prof. Dr. Stephanie Schroedter (University of Music and Performing Arts Vienna/AT).
Curated by Janine Eisenächer and Steffi Weismann
Technical assistance: Georg Klein, Jorge Rodolfo de Hoyos, Fluxgeist
Funded by the Initiative Neue Musik (INM) Berlin
PROGRAMME
1st to 3rd July (Fri-Sun), Errant Sound, Rungestraße 20, 10179 Berlin
Friday 1. July exhibition opening
Errant Sound, 18:00 – 22:00
Brad Nath: “Six Cushions Is Not Equal To One Body” (sound installation, 2022)
Janine Eisenächer: “MOVING through/with SOUND. A choreo-geography and relationscape. Pt. 1: Cycling” (sound installation, 2022)
20:00 el cangrejo y el caracol (Lorena Aparicio & Aziz Lewandowski): “Der Himmel hat keine Hände” (sound performance, 2022)
Friday, 8.7. 2022 Performance and Discourse at DOCK 11
Kastanienallee 79, 10435 Berlin
18:30 Stephanie Schroedter: “Moving Sounds – Sounding Moves: Kinaesthetic Listening in Performing Arts with Music“ (Lecture, 2022)
19:10 Janine Eisenächer: “MOVING through/with SOUND. A choreo-geography and relationscape. Pt. 1: Cycling” (Lecture Performance, 2022)
Break (20 min)
20:00 Jan Rozman: “Thinging” (2018)
21:00 Artist talk and discussion, moderated by Stephanie Schroedter
Entry fee: 15 €/ 10 € Please, reserve a ticket via email here.
We recommend wearing an FFP2-mask inside. // Please, check the current Covid-19 rules.
Find further information here
Sunday 10.7. exhibition and closing with performance
Errant Sound, 16:00 – 20:00
19:00 Brad Nath: “Errant Soundcheck” (sound performance, 2022)
Using the skin of the room and body-mounted microphones as a prosthesis, “Errant Soundcheck” brings together architectural, sonic and body-based research in an attempt to reorient the relations between inhabitation, listening and movement.
Performance and Listening Techniques: Brad Nath
Technical Support: Fluxgeist, Costume Development: Tanja Bombach
Ready Making #6 wird gefördert von der Initiative Neue Musik Berlin e.V.
Ausstellung, Aziz Lewandowski, Brad Nath, Jan Rozman, Janine Eisenächer, Lorena Izquierdo, Ready Making, soundart
